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Historic Preservation

SEPTEMBER 2017 EXHIBITIONS

September 5, 2017 by trixrosen Leave a Comment

I’ve been so fortunate to be asked to add my work to these two exhibitions opening in early September.

Please join me at the artist reception for:

HOME(less)


Where | Hebrew Union College Museum -HUC College of Religion
One West Fourth St, New York City (Get Directions)
Sept 7th 5:30 -7:30 pm
 

 

“Walking on Broken Glass,” (2016) is a collaged documentary image that depicts one destructive event during years of terrorism by my landlord before I was gentrified out of my loft in NYC. Homes can often be a place of terrible pain and violence.

“Trix Rosen’s ‘WALKING ON BROKEN GLASS’ conveys the violence that attempted to evict her from her house.”
-Laura Kruger, curator

 
My historic and endangered architectural site work will be featured in:

Camera’s Vision: Archaeology | Architecture |Landscape

Where | Fine Arts Gallery, Saint Peter’s University
47 Glenwood Ave, 5th Floor, Jersey City, NJ (Get Directions)

Please join the artists at the opening of the exhibition on
Friday, September 8, 5-7 pm

Filed Under: EXHIBITIONS, FINE ART, Historic Preservation, Home, Modern Ruins Tagged With: architecture, fine art photography

“PAINT BY NUMBERS” Exhibition

August 29, 2016 by trixrosen 3 Comments

PLEASE JOIN ME at the OPENING RECEPTION 
Thursday, September 8 2016,  6:00 – 8:00 PM

PAINT BY NUMBERS
Hebrew Union College-Jewish Institute of Religion Museum
One West Fourth St, New York NY
September 8, 2016- June 30, 2017

Numbers are integral to Jewish rituals, belief, significant historical dates, and daily life. Numbers and numerology have been at the core of Biblical understanding since the Bible was codified and possibly before. Inescapable, numbers are the global language of humanity. More than fifty contemporary artists illuminate the meaning of numbers and their symbolism through a broad range of artistic media.

JM and Faith _01.20.16

“Two Generations x Seven Emotions”

Dimensions: 13.25H x 17.5W inches
Framed: 20H x 24W inches
Year Completed: 2016
Medium: Hot Press Bright Fine Art Paper with Archival Pigmented Inks

I photographed my friends, Joanmarie and Faith, as they were teaching themselves to wrap their arms with the tefillin seven times. It is the mother’s hand that is the foundation for her daughter as they learn to follow the commandment to bind oneself to a higher power and channel the divine energies of the seven emotions.

“And you shall love the Lord your God with all your heart, with all your soul, and with all your might.  Teach these words to your children. Recite them at home and when you are away, when you lie down and when you rise up. Bind them on your arm and on your head and inscribe them on the door-posts of your house.”

Ukraine_August.08_Medzhybizh

“Eternal Flame of the Shin”
Medzhybizh, Ukraine c.1800

Dimensions: 12H x 18W inches
Framed 18H x 24W inches
Year Completed: 2008
Medium: Hot Press Bright Fine Art Paper with Archival Pigmented Inks

“Eternal Flame of the Shin,” was photographed in the cemetery near the ohel protecting the Baal Shem Tov’s tomb. Outstretched hands, joined in a gesture of blessing, were symbolically carved onto the headstones of Kohanim, descendants of the Biblical priests.

In Medzhybizh, the birth place of Hassidism and the Baal Shem Tov, I found the ritualistic gesture in the whitewashed hands inviting me to dig deeper into its meaning.

The four fingers on each hand are customarily split into two sets of two fingers each,  forming the letter Shin (שׁ), the 21st letter in the Hebrew alphabet that also designates Shaddai, the Almighty Creator.

The four stones poignantly placed on top of the gravestone serve to commemorate the life and enduring presence of the deceased. This image depicts my own mitzvot, uniting past and present, and the love and respect I have for learning from my ancestors.

Hours:
Monday-Thursday, 9am-5pm,  Friday, 9am-3pm 

Filed Under: DOCUMENTARY, Eastern European Jewish Gravestones, EXHIBITIONS, FINE ART, Historic Preservation, Jewish Art, Jewish Cemetery in the Ukraine Tagged With: Baal Shem Tov, documentary, Exhibitions, fine art photography, Jewish Cemetery, jewish fine art photography, Jewish Heritage Travel, Medzhybizh, tefillin, Ukraine

AUTUMN EXHIBITIONS 2014

September 29, 2014 by trixrosen 2 Comments

HOME
Therese A. Maloney Art Gallery at the College of Saint Elizabeth
Morristown, NJ
September 25 – December 14, 2014
Opening Reception: October 9th, 4:30 to 7:00.

The word, “home” resonates with each of us in a particular way, depending on our upbringing, country of origin, and our sociological, psychological and/or physical experience of “home,” wrote curator Dr. Ginny Butera about the exhibition, HOME.

The Philippines, Luplupa, Tinglayan

‘Kalinga Vernacular Houses’ is an image from my documentary series ‘A Kalinga Journey through Time.’ For over a quarter of a century I have been photographing the dramatic transformation of an indigenous community set deep into the rice terraces of the northern Philippines. My work as a photojournalist initially brought me to the region. It was at the 1986 ‘peace talks’ between the new Aquino Government, the rebel soldiers and the tribal people where I first met a tribal woman who invited me to visit her village, Luplupa in Kalinga Province. It  could only be reached by walking a narrow bridge stretched high over the Chico River.

When I returned again in 2013, I saw that the last of these original one-room octagonal huts perched high on wooden posts have all been replaced by two-story concrete, multi-room houses.

I am drawn to photographing the timeless nature of historic architecture because the sites and structures are a repository of collective memories – a record of the builders and the people who once inhabited the spaces they held dear.

IRONBOUND UNBOUND #5 – BRIDGING the VOID
Sumei Art Center Gallery at the Prospect Street Fire Station
56 Prospect St. Newark, NJ 07105
Gallery Hours: 12 to 5pm Wednesdays, Fridays and Saturdays and by appointment
Opening reception: October 10, 5pm to 10pm

05.PulaskiSkyway_08.26.14The curators for this show asked for the best work documenting the existing Pulaski Skyway structure and the best imaginative work using the Pulaski Skyway as inspiration or a point of departure.

This view of the Pulaski Skyway was observed during my daily walks with my dog in Leonard Gordon Park, Jersey City Heights. While standing on the highest hill in the park, I have been drawn to record the fleeting last rays of the summer sun as it isolates the Pulaski Skyway and lights it with a magical golden sheen. Five on my ‘Pulaski Skyway’ photographs that contrast the man-made landscape with the natural environment are represented in this exhibit.

SAME DIFFERENCE 
September 12 – October 17 2014

William V Musto Cultural Center
420 15th St. Union City, NJ
September 12 – October 17 2014
Opening Reception: September 12, 2014 from 7:00pm until 10:00 pm

Fred_Koenig_09.07.12Fred_Dean_Sept_Paris_2013

Beyond XY - Exploring the Masculine Continuum

My images record a biographical or historical moment, measured not as an isolated fragment of time, but revealing the narrative arc of my subject’s life, capturing past, recording present and projecting into the future. Whether an architectural site or a portrait, what haunts me is finding the essence of the visible and invisible timeline.

The portraits exhibited in SAME DIFFERENCE empower the viewer to question and challenge conventional definitions of gender and beauty.

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Filed Under: Architectural Restoration, DOCUMENTARY, EXHIBITIONS, FINE ART, GLBTQ, Historic Preservation, Indigenous Cultural Identity, The Kalinga Tribe, The Philippines, Vernacular Architecture

Breaking Through Tradition

March 12, 2014 by trixrosen Leave a Comment

“Photographer Trix Rosen’s work about gender ambiguity empowers the viewer to question conventional definitions of beauty and remind us it is more important to define our own personal beauty rather than being defined by others.”
Maureen Harrison and Alexsandra Simakowicz, Curators, BREAKING THROUGH TRADITION

BREAKING THROUGH TRADITION
April 3 – May 3, 2014
Opening Reception: April 3 2014, 7pm-9pm
Pierro Gallery, Baird Center, 5 Mead Street, South Orange, NJ 07079

Please join me at the Pierro Gallery in South Orange NJ for BREAKING THROUGH TRADITION, a group show celebrating the American cultural transition towards inclusivity.

The Sea Change

My HE-SHE portfolio presents an ongoing series of portraits documenting my seventeen-year collaboration with French artist, Fred Koenig, who unselfconsciously dares the viewer to cross over boundaries of imagination and desires. Observe him in ‘The Sea Change’ and be confronted by a fearless man who is empowered and transformed by the ambiguity of his sexuality.

‘Ravaged,’ presents Fred within the decaying landscape of a New Jersey historic farmhouse. Perhaps this intimate pose and an abandoned structure lay bare a similar beauty and vulnerability.

Fred_Koenig_09.07.12

Fred and I collaborate not just in our art, but in our political activism. Talking about his HIV/AIDS status, Fred told me that it is part of what he shows me by exposing his soul to my camera.

‘Changed Landscapes’ also reveals a figure who has dared me to look deeper because she wasn’t afraid.  Here is a woman who bravely explores the physical and emotional contours of her new form after a double mastectomy.

5.1.2

This portrait can be viewed as a narrative about her life and as a defining moment of transfiguring change. Bald, breast-less and scarred, she is fearless and beautiful, essentially and eternally female.

These images record biographical moments, measured not as isolated fragments of time, but revealing the narrative arc of both Fred and Takami’s life. They are capturing the past, recording the present and projecting into the future. How courageous and optimistic to look inward and become stronger through the experience.

I hope to see you at opening of BREAKING THROUGH TRADITION on April 3, 7pm-9pm
Pierro Gallery, Baird Center, 5 Mead Street, South Orange, NJ 07079

Filed Under: DOCUMENTARY, EXHIBITIONS, FINE ART, GLBTQ, Historic Preservation, Uncategorized, Vernacular Architecture Tagged With: architecture, Baird Center, Deleware Water Gap National Park Endangered Houses, documentary, endangered historic sites and houses, Exhibitions, Fine Art, fine art photography, Fred Koenig, gender ambiguity

Celebrating January 2014 & Art Connections 10 Exhibition!

January 15, 2014 by trixrosen 2 Comments

Opening Reception: Sunday, January 26, 2014, 2:00-5:00 pm
Montclair State University – George Segal Gallery, Montclair NJ 07043

I can thank my parents for January being the month of my birth, and Curator, Marilyn Symmes, for choosing two of my images, Peeling Back the Layers and Endangered Oakley Stoll House  to be in  ‘ART Connections 10’ at the George Segal Gallery, Montclair State University in NJ. This marks the first exhibition that represents my gender fine art photography along with my architectural series of endangered houses. Both images record historical moments, measured not as isolated fragments of time, but as tangible and intangible exposures, revealing the narrative arc of my subject’s life/capturing past, recording present and projecting into the future.

Peeling Back the Layers

Peeling Back the Layers. Montague NJ, 2012, 27H x 18W inches,
Framed 31H x 23W inches,  Fine Art Digital Inkjet Paper with Archival Pigmented Inks

Endangered Oakley Stoll House

Endangered Oakley Stoll House. Walpack Twp. NJ, 2012, 27H x 18W inches,
Framed 31H x 23W inches,  Fine Art Digital Inkjet Paper with Archival Pigmented Inks

For Peeling Back the Layers, gender performance artist, Fred Koenig, clad only in panties, stockings and high heels, is framed by the antique peeling wallpaper and decaying wood molding of the historic Hornbeck/Roberts House in Montague NJ. Owned by the National Park Service, this eighteenth century farmhouse along with the Endangered Oakley Stoll House are located within the Delaware Water Gap National Recreation Area and listed on the National Register of Historic Places. These historically important houses are now sadly vandalized and trashed.

Whether I shoot a portrait or an endangered architectural site, what haunts me is finding the essence of the visible and invisible timeline. I look for the quintessential moment that can be revealed in the stillness of a decaying wall or in the expression of gender duality. Perhaps both Fred’s openly exposed gesture and these two endangered houses lay bare a beautiful and similar vulnerability.

ART Connections 10
Montclair State University – George Segal Gallery
1 Normal Avenue, Montclair, NJ 07043
Gallery Hours: T, W, F, Sat 10:00 – 5:00 pm & Thurs 12:30 – 7:30 pm
Opening Reception: Sunday, January 26, 2014, 2:00-500 pm
Exhibition Dates: January 26- February 22 2014

Filed Under: Architectural Restoration, DOCUMENTARY, EXHIBITIONS, FINE ART, GLBTQ, Historic Preservation, PRESERVATION Tagged With: architecture, Deleware Water Gap National Park Endangered Houses, documentary, endangered historic sites and houses, Exhibitions, Fine Art, fine art photography, GBLTQ, gender ambiguity, historic preservation, New Jersey Historic Houses, vernacular architecture

A Kalinga Village Journeys through Time

June 21, 2013 by trixrosen 7 Comments

It is October 1986, and I’m on a narrow metal footbridge suspended high above the rushing water of the Chico River.  On my back is a pack of heavy photographic equipment — two cameras, multiple lenses and more than 50 rolls of film.  I grip the handrails, trying to stay in the center of this suspension bridge. My gaze is focused dead ahead – don’t look down. The rickety footbridge swings, tilting wildly with my every step.

Ahead lies the Kalinga village of Luplupa, one of several isolated Tinglayan barangays built on a steep mountain slope, placed strategically across he river so that its inhabitants could see their enemy’s approach.

Built in 1915, Luplupa is nestled deep within the hand-carved rice terraces of the Cordillera, a landscape untouched by modern times.  Climbing up and into the village, I saw many octagonal houses perched on wooden posts. Walls are of wood or split-and-plaited bamboo, topped with cogon grass roofs.  Women, intricate tattoos covering their arms and chests, balance pots of dishes and clothing on their heads to be washed in the Chico River.  Roaming freely around them are chickens, dogs, native pigs and dozens of little children. The elders squat in small groups smoking tobacco.

It’s impossible to realize at this moment the radical transformation this village is about to experience — a change that within a quarter-century will radically restructure this tribal landscape.

(to see slideshow- click – http://wp.me/p1t7ls-me)

1986. Manabo, Abra. Trix and Virgie meet at Cordillera Peace Congress.
1993. Luplupa.
1986. Luplupa. Lumnay House, c.1915
1986. Luplupa. Eryang House.
1986. Luplupa. Maliwong House.
1987. Luplupa. Mariya House.
1993. Luplupa. Lumnay House (l). Torn down 1999.
2002. Butbut. Octagonal House, c.1915
2002. Butbut. Wooden nail, c.1915
2000. Luplupa. Rita Ut-an House Construction
2002. Luplupa. Rita Ut-an House (l) Charannon House (r)
2013. Luplupa. Rita Ut-an House (l) Charannon House (r)
1994. Luplupa. Tambalong House (l) Lungnay House (r).
2013. Luplupa. Tambalong House
1986. Luplupa. Sigundo Grave (l), Is-yon House.
1987. Luplupa. Sigundo Grave, Is-yon House.
2000.Luplupa. Maliwong House Construction.
2013. Luplupa. Sigundo Grave (l), Maliwong House replaced Is-yon House.
1993. Luplupa. Rica and Funay Washing Dishes.
1993. Luplupa. Ganao Pounding Rice.
1993. Luplupa. Lungai Cooking at Wood Stove.
2002. Ina Puyoc Cooking.
2013. Tinglayan Poblacion. Agunay and Daughter.
2013. Luplupa. Puyoc Kitchen.
2013. Old Tinglayan.
2013. Old Tinglayan.
1986. Luplupa. View from Victor Baculi’s House.
2013. Luplupa. View from Victor Baculi’s House.
2002. Butbut. Roofs, c.1915.
2013. Luplupa. Roofs
2013. Luplupa. Roofs.
2013. Luplupa. The Chico River.
2013. Luplupa. Boys Floating down Chico on Bamboo Rafts.
2013. Luplupa.
2013. Luplupa. Granary and Rice Terraces.
2002. Luplupa. Rice Terraces.
2013. Luplupa. Sleeping Beauty Mountain.
1987. Tinglayan. Rice Terraces.

Fascinated by the story of this ancient indigenous culture, I returned to Kalinga in 1993, six years after my first visit. I was witnessing the birth of the province’s extraordinary metamorphosis, and knew immediately that what remained of Kalinga’s significant vernacular architecture must be documented before it was irrevocably lost. I had spent those intervening years as a photojournalist and a historic preservation photographer in New York City.

To pursue this quest I returned in 2000, 2002, and in March 2013, thanks to the generosity of donors – http://www.usaprojects.org/project/a_kalinga_journey_through_time –  who funded my trip.

During my first visit in 1986 and 1987, while working on a photo-essay for a newsmagazine, I met Virginia “Virgie” Puyoc, a Kalinga representative at peace negotiations between the new Cory Aquino government, the Cordillera tribes, and the local underground rebel forces. It was her invitation that brought me to Luplupa and we became lifelong friends.  After eleven years away, I was looking forward to seeing Virgie and her family, and revisiting  Luplupa and Bado Dangwa, the barangay located outside Tabuk, the Kalinga capital, where she had settled.

When I arrived in Manila, I joined my colleagues from Bakás Pilipinas, historic preservation architect Roz Li, anthropologist Pascale Montadert, and conservator Cristina Paterno, to present a lecture ‘Dialogue on Historic Preservation.’ The all-day workshop was sponsored by TAO-Pilipinas and the Mapua School of Architecture, Industrial Design and the Built Environment. It was attended by close to 60 participants. My presentations included a slide show of images from my proposed book, ‘A Kalinga Village Journeys through Time’ and a short how-to lecture on ‘Photographic Documentation of Historic Sites and Structures.’ Roz, Pascale and I arrived in Tabuk the following week to continue our lecture series on ‘Cultural Heritage Preservation: Preserving the Traditional Culture of the Cordilleras’ at a dialogue/workshop sponsored by the National Commission on Indigenous People (NCIP) and the Provincial Tourism Council. BakasWorkshop

Pascale joined me for next three weeks and together, we visited Bado Dangwa and travelled to Luplupa.  I continued my photographic documentation and taught Digital Storytelling classes in both places to the village youth.

Since my last visit, both Luplupa and Bado Dangwa have become densely populated, sprawling landscapes.  Villagers had constructed larger houses, some with five or more rooms. On this trip, I had my choice of bedrooms, whereas on earlier visits I stayed with the unmarried women—grannies, aunties and teenage girls—who slept on a bamboo floor in one room where they cooked and ate their meals.

Virgie feels little nostalgia for the older village houses. “As far as the old houses, baliwala,” she says, “we are not attached to them.” Compared to a hut with a grass roof that must be replaced every five years, new metal-roofed homes require less maintenance and are much more spacious and comfortable. But Virgie still displays a profound connection to her vibrant Kalinga culture – to the language, festivals, music, singing, dancing, foods, cooking and storytelling. She delights in sharing with me legends and folklore that were told to her as a child.

I showed a group of Kalinga youths my photographs of their village as it was 27 years ago, and taught them to take their own photographs of traditional artifacts still found in the villages. Their pride in their artistic and cultural heritage was evident. They could see that even when tangible things are mostly gone, photographs can provide a historic record of the heart and soul of the tribal traditions, and of their ancestors who built and sustained Kalinga culture over many centuries.  (end Part 1- to be continued)

Filed Under: Architectural Restoration, DOCUMENTARY, EXHIBITIONS, FINE ART, Historic Preservation, Indigenous Cultural Identity, PRESERVATION, The Kalinga Tribe, The Philippines

A Kalinga Journey Through Time

December 24, 2012 by trixrosen 3 Comments

I am very excited to share my project A Kalinga Journey Through Time with you.

In 1986 I was a freelance photojournalist living in the northern Philippines. An invitation by an indigenous Filipina from the Kalinga tribe to visit her village, nestled deep within the hand-carved rice terraces of the Cordillera Mountains, brought me into an isolated landscape that appeared to be untouched by modern times. Fascinated by the images of an ancient people beginning the process of a contemporary metamorphosis, I returned many times over 25 years to visit my friends, and to photograph their rapidly changing historic landscape.

I’m sharing this project with you because I’m hoping you might be interested in supporting the completion of this historic work. I’m aiming to raise $8,900 by mid-February 2013.

With support from this funding I would return to the Philippines for six weeks in March 2013. I’d bring with me earlier photographs that would be used as points of departure to trigger memories among the family members, photograph portraits and conduct video interviews and, with the guidance of the local population, would document the rapidly perishing vernacular architecture as I also record the newer buildings. After returning home, I would apply your support to cataloging the documentation, printing photographs, digitizing older film and editing my video recording. I would also be arranging for future lectures, exhibitions and a book project, A Kalinga Journey Through Time, that would aim to preserve the material I have collected. Photographing the changes that have impacted this community will also reveal much about how a tribal society evolves into the 21st century.

If you can support this project with a donation, in any capacity, together we can make this idea a reality! Sharing the project with others and sending me your thoughts are also very valuable ways to show your support.

Want to learn more? Click here:
http://www.usaprojects.org/project/a_kalinga_journey_through_time

About USA Projects:
Founded by the Ford, Rockefeller, Rasmuson and Prudential Foundations, United States Artists has supported the work of individual artists since 2005. Donating through USA’s micro-philanthropy initiative, USA Projects, supports the work of accomplished artists all across America and is tax deductible.

Filed Under: Architectural Restoration, DOCUMENTARY, EXHIBITIONS, FINE ART, Historic Preservation, Indigenous Cultural Identity, PRESERVATION, The Kalinga Tribe, The Philippines, Uncategorized Tagged With: architecture, documentary, Exhibitions, fine art photography, historic preservation, Indigenous Culture, Kalinga Tribe, The Philiipines, vernacular architecture

TREASURED: Honoring Precious and Vanishing Worlds

July 21, 2012 by trixrosen Leave a Comment

(to view in browser click here)

TREASURED: HONORING PRECIOUS AND VANISHING WORLDS is an exhibition at the Annmarie Sculpture Garden and Arts Center in Solomons, MD that features three prints from my fine art portfolios: Bet Hayyim (House of the Living) and Endangered Historic Houses.
The art exhibit opens on June 15 and continues to August 26 2012.

Title: Hands of the Kohan.  Medzhybizh, Ukraine, 2008, Edition: 3/10
12 x 18 inches, Fine Art Paper with Archival Pigmented Inks

Title: Kohans, Levites and the Star of David.  Chernivtsi, Ukraine, 2008, Edition:3/10
12 x 18 inches,  Fine Art Paper with Archival Pigmented Inks

In 2008 I crisscrossed the heartland of the Ukraine  to photograph historic Jewish cemeteries and hand-carved tombstones in cities, towns and shtetls. Every site had a story to tell and each stone was an artistic treasure filled with iconographic beauty and mystery. The headstones of the Kohanim, descendants of the Biblical priests, had hands joined in a gesture of blessing. The pitcher pouring water represented the tribe of Levites, the assistants to the priests. Some epitaphs were intricately carved, the stones decorated in an elaborate Jewish script covering the entire surface; others held only the most minimal outline of the Star of David. Other friezes depicted symbols of lineage and gender. These gravestones, some dating from the 1400’s, depict a visual history of the once vast community of Eastern European Jews, and serve as reminders of the people who lived in this place and died.

Title: Shattered Spaces. 2012
Edition: 3/10
12 x 18 inches, Fine Art Paper with Archival Pigmented Inks

Less than two years ago the Shoemaker-Houck Farm was in excellent condition, one of the premier structures located within the New Jersey Delaware Water Gap National Recreation Area that is owned by the National Park Service. The front portion of the house was built in 1822 while the rear portion was built in the eighteenth century. This National Register Site has no protection and has now become vandalized. The back door is wide open and window glass is missing, sadly revealing the ruins of neglect. These scarred elements are key to understanding the rural development of northwestern New Jersey and the significant role that area played in American history.

I am drawn to the timeless nature of historic architecture because it is a repository of collective memories – a record of our heritage, the builders and the people who once inhabited these spaces. There is an urgency about what I photograph because each derelict site is a reminder of our inadequacy as cultural stewards. I look to the architectural details, to the deeply etched memories in the stones, the walls and the structures as a window to remembering our past.

Filed Under: Architectural Restoration, DOCUMENTARY, EXHIBITIONS, FINE ART, Historic Preservation, PRESERVATION, Uncategorized Tagged With: architecture, Baal Shem Tov, Chernivtsi, Deleware Water Gap National Park Endangered Houses, Eastern European Jewish Cemetery, endangered historic sites and houses, environment exhibition, fine art photography, HABS Photography Documentation, historic preservation, Jewish Cemetery, Jewish Heritage Travel, Medzhybizh, Modern Ruins, National Register of Historic Places, New Jersey Historic Houses, Ukraine, Ukraine Jewish Cemeteries, vernacular architecture

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SELECTED PAST EXHIBITIONS

HOME
Hebrew Union College-JIR Museum
One West Fourth Street, New York NY
Sept 2017 - June 2018

CAMERA’S VISION: Archeology/Architecture/Landscape
Fine Arts Gallery - St Peter’s University
47 Glenwood Ave, Jersey City, NJ 07306
September 1 - October 20, 2017

CLUB 57: Film, Performance, and Art in the East Village, 1978-1983
Museum of Modern Art, (MoMA) New York NY.
Oct 31, 2017 - April 1, 2018

THE FL3TCH3R EXHIBITION
Reece Museum, East Tennessee State University
Johnson City, TN 37614-1701
October 10 - December 19 2017

DISPLACEMENT: WOMEN’S JOURNEY’S
Ceres Gallery, 547 W 27th St #201, New York, NY 10001
Jan 31- Feb 24, 2018
EVIL: A MATTER OF INTENT
April 19 – Oct 1, 2017
Jewish Museum of Florida
301 Washington Avenue, Miami Beach,FL

WORLD WHERE WE BELONG, The Georgia Brooks LGBTQIA Exhibition
March 3 - April 19, 2017
Benjamin J.Dineen, III and Dennis C. Hull Gallery, Hudson County Community College
Jersey City, NJ

EVIL: A MATTER OF INTENT
Sept 1, 2015 – June 30, 2016
Hebrew Union College- JIR Museum
One West Fourth Street, New York NY

IDENTALTERITY – BUT STILL IN ONE PIECE
June 17 – Sept 30, 2015
5th Biennale of Contemporary Art of Thessaloniki
Contemporary Art Centre of Thessaloniki, Greece

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Recent Posts

  • Trix Rosen’s Illuminations at Art House Gallery
  • TRIX ROSEN’S MAITRESSE opening at MoMA on Oct 31, 2017
  • SEPTEMBER 2017 EXHIBITIONS
  • “PAINT BY NUMBERS” Exhibition
  • 2015 FALL to WINTER – 3 Exhibitions

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